Cutting the Chai has moved to a new domain: cuttingthechai.com.
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Saturday, May 01, 2010

On Guruji and Piracy

Guruji.com Screenshot with logoWhile one Guruji (Shibu Soren) has been upto his usual ways in the political arena, another Guruji, of the online sort, has entangled itself in the web of piracy allegations.

According to media reports Anurag Dod, the CEO and founder of Guruji.com and a few other company executives were arrested by the Bangalore police on charges of piracy/copyright infringement. The complainant was T-Series (as you sow, so shall you reap). T-Series, like most music companies, has been crying foul over music piracy. Piracy has hit its bottomline hard.

Here on Cutting the Chai, I have been writing about piracy and the ways that the music and movie industry can counter it.

The arrest of Guruji.com's CEO is important news, because this case could define the future of online music sharing in India (at least from a legal perspective).

Back in 2006 when Guruji launched, it focused on search results with a 'desi' flavour. But when they tried to add some music to it, it was apparent they they were hitting the wrong notes (melodious ones, if you hear from the users' ears).

The search engine was also touted as the potential Baidu of India. Guruji seems to have taken the Baidu comparison a bit too seriously and went on to incorporate Baidu's USP - MP3 search (Guruji's music search was launched in July 2008)

Much like the Chinese, Indians too are fond of their music and like to find it for free on the internet (Altavista was perhaps one of the earliest to include music search, but I can no longer find the feature and Google's is only for the US).

Before Guruji.com was Guruji.com, it was Terrawiz. A "privately held startup with development center in Bangalore, India ... developing technologies to enable the India interested person to search and get relevant results quickly." Today, if you go to the domain www.terrawiz.com it'll take you the WAP/mobile version of the search engineNote :

Apparently the name Terrawiz didn't seem to sound something that will appeal to an Indian audience, therefore Guruji (the teacher). The domain www.guruji.com was earlier a site on Muralidhara Swamigal.

Anurag Dod had the right credentials to start a successful online venture, a BTech from IIT Delhi and a Masters in Computer Science from the University of Michigan. And his baby Guruji.com wasn't doing too bad either (Guruji claims to have over 1.5 billion page views a month). If it hadn't been doing well, he wouldn't have been arrested. No takes notice of the failures.

Over the years, Guruji.com has moved on from being a search engine delivering India specific content to a search engine delivering links to downloadable Indian music. They have even rejigged their homepage to show where their strength lies and what interests their visitors the most. They are now taking pride in being the "No 1 in music search."

What would be interesting to know is whether the standard disclaimers, that Guruji.com and many other sites use, to wash their hands off indexed third-party content, holds any water in the courts.

Guruji Music lets you search and listen to old, new, latest mp3 songs and ringtones. However, we have no liability for websites that claim to have free mp3 downloads.

Disclaimer :
Guruji.com indexes third party websites and does not have control over, nor any liability for the content of such third party websites.
If you believe that any of the search results above, link to content that infringes your copyright, please contact us.

This is very important in a broader sense, because many of us (particularly bloggers) link to external websites whose contents might not be legal according to the laws of the land. Earlier this year, China's Baidu had won a court case against music groups and was cleared of piracy charges. Wonder, how the Indian courts would read the T-Series versus Guruji case.

Guruji could possibly get into another little copyright trouble over their latest design. A closer look at the new Guruji.com homepage, shows distinct Shutterstock watermarks. This clearly indicates that they didn't create the image, nor did they take permission to use it. Whoever is responsible for the design, did a lazy job (just picked up from the net and didn't even bother to clean it up. As they say nakal mein bhi akal lagti hain). Moreover no one at Guruji also seems to have noticed.

Apparently unauthorised Shuttestock images on Guruji.com

To Guruji.com's credit, their music search works wonderfully. They even give upfront links from where users can download the files directly without necessarily having to go to the website hosting the content. If you don't wish to download, there is the listen option. You may also dedicate a song to a friend and download a ringtone-version of the song for your mobile phone. The website is available in eight languages and it indexes songs of at least nine languages. Too much of a good thing can sometimes get you into trouble.

At a previous workplace I was trying to bring in more music content for our music website and had almost inked a deal with the impressive new startup Grooveshark. They seemed to have everything right about them and claimed that they even paid the due royalties. But the legal mumbo jumbo was a bit grey in some parts and we didn't want to get our hands burnt. Though it had a lot of potential, we had to unwillingly, shelve the plans. "Music is risky business," my boss told me. Since Anurag is his own boss, no one seems to have told him that.

Guruji.com is an easy target for the music companies because they haven't shrouded themselves behind a clock of anonymity. Go to Guruji.com and you'll find all that you want to know about them, the management team, their addresses. On the contrary, another popular Indian music search engine Phulki has played it safe. They haven't put up any contact info on their website and a whois search draws a blank as they have kept their contact info private. But I've heard of Phulki executives doing the rounds to tie up with other websites. Don't know if they hand out a business card or not.

What Guruji has been doing is very borderline. But as I have argued before, the music companies are getting it all wrong. They could take Guruji to court but what about songs.pk (haven't deliberately linked to the site, unless T-Series decides to drag me to court too. I can't even afford a decent lawyer) and the innumerable other sites and blogs that pass on illegal content. And the biggest of them all, P2P. They can't be shutting them down all. They have to come up with an alternative, at least T-Series tried to.

Apple's iTunes Store has displayed that people are willing to pay for their music, but then it hasn't been tried out in India. We Indians often react a lot differently than the world. But someone needs to go out and do something. In.com, Bollywood Hungama and Rediff SongBuzz are letting us listen to music for free and that too legally.

Interestingly, Guruji.com doesn't seem to index the above mentioned three Indian websites that legally stream music. At least the random search that I ran, didn't find any mentions.

What we need is a also service via which we can download music to our devices and at a small fee. Something in the range of Re 1 to Rs 5 per song would be fine. Personally, wouldn't mind paying a small amount (~ Rs 10-15) for an album. Given that the files are of good quality (~320 Kbps) properly sorted and tagged. Something the pirate sites never do well and when they do they don't forget to include self-advertisement in the tag fields.

Give me websites from where I can legally download my music from and not too a high a price (after all it's about pricing it right) and also have websites like Guruji which can then become a legal music search engine (and also a selling platform). I search for the songs I like on Guruji (and also preview them) and add them to my cart on Guruji (that saves me the hassle of going to the T-Series website for one song and then to Saregama for another). I make my payment on Guruji.com and download the songs from there itself. Guruju.com can be a desi iTunes Store but thoda hatke (How they share the revenue, is their problem).

The truth is that CDs are fast becoming obsolete. MP3 is here to stay, until a newer and better format is widely accepted. Indian music companies have to innovate fast or they would just fade away. And that will be a loss for music, musicians and music lovers.

While some may argue that Guruji is only indexing and displaying relevant results to the user and there is nothing illegal (or unethical) about it. JPK at JudeTheObscure says "It's like arresting L&T executives because people have been transporting hooch over the flyover they built." But here it appears that, they have also built a special carriageway for the exclusive purpose of transporting hooch.

Click here for the complete post...

Thursday, May 07, 2009

Jana-Gana-Rann: Awesome

The producers wanted some controversy around the Jana-Gana-Rann title song for Ram Gopal Varma's upcoming film Rann [Official website], and they've got it. Though some newspapers (surprisingly) treated it differently.

Update: The Central Board of Film Certification (Censor Board) has refused permission for / banned the airing of the controversial Jana-Gana-Rann song. This also means that the promo cannot be screened at theatres.

The two trailers/promos for Rann are essentially the same only the text in the beginning and the end are a little different.

Promo 1


Promo 2


NDTV Movies is running a debate around the song. A comment from Subhash Nagre (Hey! Wasn't that Amitabh's character in Sarkar?) in the discussion puts it in the right perspective:

The purpose of the National Anthem is to incite patriotism amongst the citizens, and in these troubled times the Jana-Gana-Rann rendition is appropriate. There is no point praising the motherland where most things are not right, rather the feeling needs to be awakened that there is a lot wrong and it will get worse if we do not make amends. This song does precisely that. And we should brush the controversies aside and listen to this heart-stirring number.

All said and done, Jana-Gana-Rann is an amazing piece. The kind that makes your hair stand on its end.

Rann PosterNot sure who The lyricist for the particular song is Saarim Momin or Prashant Pandey. For the music, it is one of these four: Amar Mohile, Bapi-Tutul, Sanjeev Kohli or Jayesh Gandhi.

The last RGV movie I liked was Sarkar and am looking forward to Rann. Hope he betters Sarkar this time (the sequel Sarkar Raj was pale in comparison).

In his director's note RGV says:
Rann means battle. And battle is a fight between large organised forces. In the context of a civil society and its deep complexities, large organised forces (read news channels, political parties and industrial czars) are not just involved in a fight with each other, but more importantly and frighteningly, they are battling a war within themselves and this is especially true of news channels.

Making news is not the easiest thing in the world. So the next best thing obviously would be to make anything and everything appear to be news.

The way the news are presented today are much more entertaining than family soaps and thril-ers. What's worse is that we enjoy this kind presentation so much that we have got addicted to them.

There is the government - a system which runs the country, then there are wealth creators like industrialists etc and then there are politicians in the ruling party and the opposition.

All the above in a democratic society are supposed to be working for the common people and the one and only means of the common people having any idea as to what those are up to is through the media. Hence the media has been invented as a truth telling machinery serving the purpose of the common people so that they know they are in good hands or in case they are told that are not, they can hope to exercise the power of their vote to bring about a change.

But in free economy system where there is so much competition the media by default is lost in its purpose.

The media is a reporting agency. It reports news. News is what is new. New is what you hear for the first time. So to be able to be the first to tell you the various newspapers and channels have an intense competition among themselves and this they do on a need to survive, on an ego to be on the top and on a greed to get rich.

To be ahead of competition means more circulation and higher TRPs which in turn generate more and more ad revenue which will translate into making more and more and more money.

Also the fact that in the process the people who run the media realise their power of influencing the common people inevitably makes them power hungry.

To sum up, Rann would expose the behind-the-scenes truth of how a truth telling machinery by the very virtue of its positioning has no choice but to corrupt itself to become a money-making and power-brokering enterprise.

He has a point. Doesn't he?

Here's the lyrics for the song (English translation included):

Jana-Gana-Rann

Jana Gana Mana Rann Hai
Is Rann MeinZakhmi Hua Hai
Bharat Ka Bhaagya Vidhaata

Punjab Sindh Gujarat Maratha

Ek Doosre Se Ladd Ke Mar Rehein Hain
Is Desh Ne Humjko Ek Kiya
Hum Desh Ke Tukdey Kar Rahein Hain

Khoon Bahaa Ker
Ek Rang Kar Diya Humne Tiranga

Sarhadon Pe Jung Aur
Galiyon Mein Fasaad Danga

Vindh Himachal Yamuna Ganga
Men Tezaab Ubal Raha Hain

Mar Gaya Sab Ka Zameer
Jan Kab Zinda Ho Aagey

Phot Bhi Tava Shubha Name Jaage
Tav Shubh Aashish Maange

Aag Mein Jal Kar Cheekh Raha Hai
Phir Bhi Koi Sach Ko Nahi Bachaata

Gahe Tava Jaya Gaatha

Desh Ka Aisa Haal Hain Lekin
Aapas Mein Ladd Rahein Neta

Jana Gana Mangal Daayak Jaya Hai

Bharat Ko Bachale Vidhaata

Jay Hai Yeh Marann Hai
Jana Gana Mana Rann Hai


English Translation

There is battle in every mind
And in this battle the future
Of India is wounded

Punjab Sindh Gujarat Maratha

Are fighting amongst and killing each other
This country made us one
And in return we are breaking it into pieces
The Dravidians, the Orissa, the Bengal

By shedding blood, we have turned the
Tricolour into one just bloody colour

Battles ablaze on the borders
While riots burn down our lanes

Acid is boiling in Himachal
Yamuna Ganga

Dead is our conscience
Who knows when it will come back to life

Yet we chant god's name praying
For his blessings

The truth screams as it burns in fire
Without a saviour for it

Yet we sing the victory song

This is the state our country is in
And the leaders fight within

The salvation of all the people waits in your hand

Oh God! Please save India

Is this victory or is this death?
There is a battle in every mind

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Saturday, February 21, 2009

The Best of AR Rahman

Mesmerising. That's the music of AR Rahman. His Oscar nominations wins have brought his music to a bigger world stage. But is Slumdog Millionaire Rahman's best? You don't even need to think for the answer.

As a salute to the Mozart of Madras, I've picked up some of his best works and compiled them into a single video.

Since it is very difficult to be selective about songs from Rahman's oeuvre, I followed a simple procedure (though technically faulty):

Only his Hindi songs, or songs dubbed into Hindi, have been included. Because that's what I've listened to the most.

One song from each selected movie. With the exception of Dil Se, arguably Rahman's best work yet. How can you choose between a Chaiyya Chaiyya and a Dil Se Re?

Video - The Best of AR Rahman


The videos are in no particular order. If you disagree with my list (which I believe many would) please leave your suggestions (the songs that I've missed out on) in the comments.

List of songs included in the video (in order of appearance):

1. Dil Hain Chota Sa (Roja)
2. Humma Humma (Bombay)
3. Kabhi Neem Neem (Yuva)
4. Saathiya (Saathiya)
5. Azeem-o-Shaan Shahenshah (Jodhaa Akbar)
6. Mangal Mangal (Mangal Pandey - The Rising)
7. Roobaroo (Rang De Basanti)
8. Ye Jo Desh Hain Tera (Swadesh)
9. Rut Aa Gayi Re (1947 Earth)
10. Chaiyya Chaiyya (Dil Se)
11. Maa Tujhe Salaam (Vande Mataram)
12. Yai Re (Rangeela)
13. O Re Chori (Lagaan)
14. Tu Fiza Hain (Fiza) (This isn't a Rahman composition, as pointed out by Lyrical Craziness Personified)
15. Hum Hain Is Pal Yahan (Kisna)
16. Dil Se Re (Dil Se)
17. Masakkali (Delhi-6)
18. Jaage Hain Der Tak (Guru)

Related posts:· The Best Bollywood Love Songs Ever

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Thursday, February 05, 2009

Emosanal Attyachar 'X-Rated' Version

My favourite song of the year yet - Emosanal Attyachar from Dev D. The Brass Band version. Didn't fancy the Rock version much. Recommended listening.

Find it here - it also gets saved in your browser cache ;)

Music director Amit Trivedi has almost done a Rahman - given us a new sound (though the sound itself isn't new, the application is). The first time ever I actually loved listening to the otherwise cacophonic wedding bands - that for some inexplicable reason don't fail to play Yeh Desh Hain Veer Jawano Ka. And Amitabh Bhattacharya delicious lyrics and Bony Chakravarthy's vocals add to the experience.

And now to cash on the 'naughty' (or is it raunchy?) nature of the movie, there is a video on YouTube posted by UTVMotionPictures, with dollops of desi gaalis.

But the viral spread is yet to take off. At the time of posting this there were about 2000 views on the video.

Caution: Explicit lyrics (and some text on the video). Viewer discretion is advised.



Related posts:· Experiences with the Profane Tongue

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Monday, October 20, 2008

Sachin, Sunny and a Nice Song

SRT is India's biggest superstar. There's no doubt about it. And he has further fortified his iconic status overshadowing Brian Lara's mammoth 11,953 Test runs total.

Being a superstar it is obvious that he would have endorsed many a brand. And amidst the all high profile endorsements Sachin Tendulkar also appeared in ads for Bajaj Sunny - the scooterette (This was before the record Rs 31.5 crore deal with WorldTel).

To celebrate Sachin's (yet another) record here's the ad that I found in a February 1994 issue of The Sportstar.

Sachin Tendulkar in a print ad for Bajaj Sunny
"Ride the red hot super looker teen machine"
- Sachin Tendulkar
Bajaj Sunny
55 KMPL · 50 CC · No Gears · Easy Kick Start · Spare Wheel · Price Rs 12,000 (ex-showroom price Delhi)
Bajaj Auto Ltd
Akrudi, Pune 411035

Agency: Lintas


And the nice Bajaj Sunny Zip TVC with the nice song (this doesn't have Sachin in it).


Download video [00:00:47 FLV 1.01 MB]
Download hi-res video [00:00:47 AVI 4.84 MB]
Download for mobile [00:00:47 3GP 928 KB]


The ringtone/audio only version:





Download ringtone [MP3 707 KB 00:00:45 128kbps Stereo 44 kHz]

Lyrics:
First you say you're always with me,
Because being with me is fun.
Say you'll go the whole distance,
Since the love that you found.
All right. Come on, what's going on?
What you're thinkin'?
Then you say you need me,
Like the garden needs rain.
Then you go and deceive me,
Like it's all in the game...
All in the game.

Text:
Easy come. Easy Go
Bajan Sunny Zip


If I'm not mistaken the agency behind this ad is Contract Advertising and it got them an Abby gold in 1997.

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Saturday, August 30, 2008

Rock On the Review

Rock On Movie Poster - Large"From the makers of Dil Chahta Hai" - this bit was enough to draw me to a late 10:45 PM show on the first day of Rock On's release.

Coming out of the theatre at 1:30 AM, I thought it was worth it, though it wasn't another Dil Chahta Hai.

But there are similarities - coming from a similar set of people and having a somewhat similar theme it is expected. But we could also hear someone snoring inside the hall.

Four friends making music with Magik (their band), get apart and come back together. To do what? Make music, of course (nothing very original about the story). Since I didn't even watch Abhishek Kapoor's first film as a director - Aryan - I can't comment on how he bettered himself as a director, but a commendable effort nevertheless. But I couldn't help but notice a lot of Farhan Akhtar influence in the direction.

Farhan AkhtarThe music by Shankar Ehsaan Loy is unconventional for Hindi films and so are the lyrics by Javed Akhtar.

At the end of the film they ask you not to download but purchase the audio CD. Until they lower their prices, I don't see that happening much.

Farhan Akhtar is also a theek actor, but unless he is singing his voice isn't appealing enough, but he did get the emotions right.

Arjun Rampal is brooding and looks dashing, but acting still a lot of scope for improvement. Apparantly Arjun learnt the guitar for the film, but that learning just doesn't show or his character is as that of a genius who can make the guitar release effusive notes without moving the fingers much.

Luke Kenny also does a decent job and like models all VJs don't make superb actors. But he looked and acted his role.

Purab Kohli is the fun-filled guy and acts that out with elan.

For Prachi Desai it was a nice transition from the small to the big screen. In the movie she's cute.

Shahana GoswamiThe best performance in the film comes from Shahana Goswami who plays Arjun's girlfriend and then wife. This girl's good.

About Koel Purie, should I even say something?

One thing I liked about the movie was that even if you can't relate to the music thing, you can relate to the emotions and angst on display. And nothing goes over the top, the drama is controlled.

There's also Anu Malik as himself and you could hear loud laughter when the music director uttered the word "original".

The film might not have its numerous moments as did Dil Chahta Hai, but then it isn't Dil Chahta Hain. It's darker and not necessarily about having a good time. It might not go on to be listed on online profiles of people as their favourite movie or break a few records but it reinforces our belief that Bollywood is also about good cinema and not only hit cinema.

Credits

Cast
Farhan Akhtar as Aditya Shroff
Prachi Desai as Sakshi (Aditya's wife)
Arjun Rampal as Joe Mascarenhas
Purab Kolhi as KD aka Killer Drummer
Luke Kenny as Rob
Koel Purie as Devika (Sakshi's friend)
Shahana Goswami as Debbie (Joe's girlfriend turned wife)
Nicholette Bird as Tanya (Aditya's ex-girlfriend)

Crew
Directed by: Abhishek Kapoor
Produced by: Ritesh Sidhwani, Farhan Akhtar
Music: Shankar Ehsaan Loy
Lyrics: Javed Akhtar
Screenplay : Abhishek Kapoor, Pubali Chaudhuri
Story: Abhishek Kapoor
Dialogues: Farhan Akhtar
Editor: Deepa Bhatia
Chereography: Remo

Trailer:

Download video [00:02:25 FLV 3.01 MB]
Download hi-res video [00:02:25 AVI 14.3 MB]
Embed:


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Wednesday, August 27, 2008

in.com: Good Place to Download Music?

in.com - must say, helluva domain name. Was trying out the newly launched website and its many features. Suddenly the DownloadHelper icon on my browser showed some activity. I was listening to some the music that they have in there.

I let DownloadHelper do what it is the best at and wondered whether this new site will be another blow for the music industry. As the file downloaded revealed, not exactly.

Though you can browse and listen to music from different genres, they are optimised for smooth play on the web and therefore aren't of a high quality.

The specs read

Bit Rate: 64kbps
Channels: 1 (Mono)
Audio sample rate: 44 kHz

For people who aren't that choosy about the output quality, it might just become the next big inadvertent music download destination.

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Saturday, June 21, 2008

In Audio: Ghasiram Kotwal

An audio extract from the controversial play Ghasiram Kotwal penned by the late Vijay Tendulkar - staged during the Summer Theatre Festival at the National School of Drama, New Delhi - and directed by Rajinder Nath.

The audio tract describes the laws promulgated by the protagonist Ghasiram in his newly appointed role as the kotwal - the chief police official - of Poona.






Download [MP3 2.01 MB 00:04:23 64kbps Mono 44 kHz]
Right click and Save Link As/Save Target As

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Wednesday, May 28, 2008

3rd Anniversary Special: Free Ringtones

Three Years of Cutting the ChaiIn a few days it'll be three years since this blog began. And for the readers I have a special treat that should continue over the next few posts - free MP3 ringtones to download for your mobile phones / cell phones (also SMS tones, the short ones).

I've posted in the past quite a few mobile phone ringtones (some in MIDI format, a few in MP3). Ringtones are fun (though I myself tend use the same one for years together) and here at the Cutting the Chai the motto is to share the fun, at minimal or - more preferably at - no explicit cost.

This is the first batch. You can preview (actually prehear) the files before you download (just showing off the new audio player that I put up here). Some of them can be put to some interesting uses:

Aah: An aha ringtone. A female goes aah...






Download [MP3 20 KB 00:00:02 64kbps Mono 44 kHz]
Right click and Save Link As/Save Target As


Phone Vintage: The vintage telephone ring is one of my favourites. Does bring back the memories of the rotary dial.






Download [MP3 26 KB 00:00:03 64kbps Mono 44 kHz]
Right click and Save Link As/Save Target As


Phone Electronic: Before we went multi tone, this one was the universal ring. I often rushed back to pick up the phone, only to realise that it was actually the neighbour's phone that was ringing.






Download [MP3 20 KB 00:00:02 64kbps Mono 44 kHz]
Right click and Save Link As/Save Target As


Mosquito: Ranked as one of the most irritating noises to reach the human ear. This would make an ideal tone for the alarm, only that you might try to swat the phone in your sleep.






Download [MP3 30 KB 00:00:03 64kbps Mono 44 kHz]
Right click and Save Link As/Save Target As


Gunshot: Bang Bang, or in more Bollywood ishtyle dishkaaaaw... a classic.






Download [MP3 17 KB 00:00:01 64kbps Mono 44 kHz]
Right click and Save Link As/Save Target As


Santoor: One of the most pleasant musical instruments.






Download [MP3 25 KB 00:00:02 64kbps Mono 44 kHz]
Right click and Save Link As/Save Target As


The Bell: The sound of a bell being struck and the reverberation.






Download [MP3 76 KB 00:00:09 64kbps Mono 44 kHz]
Right click and Save Link As/Save Target As


The Gong: This will remind you of all the "master master teach me kung fu" movies that you saw in your childhood






Download [MP3 52 KB 00:00:06 64kbps Mono 44 kHz]
Right click and Save Link As/Save Target As


Big B Phone: No one else, but the Big B himself pleads you to pick up the phone






Download [MP3 13 KB 00:00:01 64kbps Mono 44 kHz]
Right click and Save Link As/Save Target As


Go Back






Download [MP3 11 KB 00:00:01 64kbps Mono 44 kHz]
Right click and Save Link As/Save Target As


Tantan






Download [MP3 20 KB 00:00:02 64kbps Mono 44 kHz]
Right click and Save Link As/Save Target As


Trin Trin






Download [MP3 50 KB 00:00:06 64kbps Mono 44 kHz]
Right click and Save Link As/Save Target As


In case you want to save yourself from the botheration of downloading individual fines, you can download all the 12 MP3 (featured above) files in a single zip folder from the link below.
Download [ZIP 324 KB]

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Monday, September 17, 2007

Indian Idol 3 - A City Turns Loony

The assembly elections in the state are quite a few months away, but from the look of the narrow and winding roads of Shillong it seems that canvassing is on in full swing. And all the parties are rooting for the same candidate.

On entering the city a huge hoarding sponsored by the state Youth Congress Chief asks you to vote. Further down into the city, the BJP has also put up banners appealing you to vote for the very same contestant - Amit Paul.

Many television viewers are by now quite familiar with the name. Amit Paul is the Shillong lad who has made it to the final two in one of the numerous TV musical talent shows - called Indian Idol. And for the hill state of Meghalaya and its sleepy cosmopolitan capital Shillong it seems to be the best thing to happen since January 21, 1972 - when the state of Meghalaya was carved out of Assam.

For a city with its soul soaked in music the zeal expressed in support of a local lad coming to the verge of getting a ticket to the 'big league' might not seem surprising. But the feverish excitement over a TV show is something that someone like me finds tough to comprehend.

People from other cities from where boys and girls have been contenders for the big promises of the talent shows might have been witness to similar phenomenon. I also had, last year, when Debojit Saha from south Assam had gone to the SaReGaMaPa contest on Zee TV (he was the eventual winner but not necessarily not the most talented of the lot) and I happened to be on a visit to that part of the country.

Amit Paul is already an icon in Shillong. Almost everyone is talking about him all the time. From the barber to the taxi driver, the point of discussion is Amit. Giant screens have been put up all over the city so that people can watch 'their boy' in action. MLAs and MDCs (Member of District Council) are falling over one another to sponsor free PCOs from where the public can punch in their votes for Amit.

Rallies in support of Amit are a daily affair and the crowd at the one when Amit came visiting home is said to be the largest that the city had ever witnessed. The last time Shillong saw people turning out on the roads voluntarily in huge numbers was when the body of Kargil martyr Captain K Clifford Nongrum was brought home.

Amit t-shirts line shop windows and his posters are best sellers (though some organisations have urged them to be distributed for free). Wherever you look in the city you cannot possibly miss one face with a slight stubble looking at you from all directions.

The swanky touch-screen mobile phones are no longer the latest show-off here, it is the number of votes that one has cast for Amit. An elderly gentleman who occupied the seat next to me in a local taxi (taxis in Shillong usually ply on a sharing basis) said that he voted 500 times. Others have reportedly sent over a thousand votes for their home-bred contestant. And the voting continues throughout the night.

To have a first-hand look I walked through the semi-deserted streets to one of the free PCOs at around midnight to discover a huge crowd there. People of all ages, pre-pubescent girls and elderly grandmothers all queuing up in a pleasant September night to vote for Amit. Occasionally some slogan shouting in support of Amit breaks the silence of the night.

For a city which is used to shutters downing a couple of hours after dusk (the sun sets early in the east) these energetic midnight ventures by the young and the old is indeed welcome.

What else is also welcome is that in a communally divided and sensitive society like Shillong's the success of Amit Paul has brought about an unprecedented sense of togetherness.

Amit Paul is Bengali, his family owns a renowned clothing outlet in the centre of the city - Shankar Brastalaya - and at the forefront of the campaign in support of Amit are the Khasis (both communities - Khasis and Bengalis - over the last few decades haven't shared the best of relations). Now both, along with the numerous other communities who inhabit Shillong are making a collective effort towards realising the recently realised dream of a city-bred Indian Idol.

But then there is also a dark side to this tale. Amit's competitor for the title of Indian Idol is Prashant Tamang, hailing from Darjeeling, and sceptics believe that Shillong's Nepali community (a sizeable one) is voting for Prashant, while according to them the loyalties of of all the people of Shillong should be with the city and not the tongue one speaks in.

In case Prashant betters Amit in the vote count there are apprehensions of disturbances in Shillong, which has fortunately been quite peaceful (communally) for the last few years.

To add to all the confusion are rumors of free SMS services being provided by mobile operators leading to many people sending as many SMSes as possible. Apart from the freebie seekers there are many deep pockets abound distributing free pre-paid cards to anyone willing to punch in the SMSes in Amit's favour.

Amidst all the brouhaha it is obvious that there would be a few who can see though this maniacal euphoria (thankfully there are). These few realise that the producers of the show are merely triggering the upheaval of regional emotions and filling their (and the mobile operators') coffers and are also aware of the real value of such talent hunts at a time where every channel boasts of one, if not more such shows. They also try to recall the previous winners of such shows and the oblivion where most of them have disappeared into and also the process of multiple public voting which turns a so-called democratic exercise into a farce.

A local columnist Patricia Mukhim is believed to have ignited the fire for Amit through her columns in the local newspapers. Then socio-cultural organisations took over and even the government couldn't resist from staying behind. The Meghalaya government has declared Amit Paul the 'Brand Ambassador of the State of Meghalaya for Peace, Communal Harmony and Excellence' (see the adjacent image of a copy of the letter from the Chief Secretary) and even the Governor signed his fan book.

With many of Shillong's lasses already publicly expressing the desire to marry him, Amit might just face another problem of plenty. A Sikkim-based businessman has announced a Rs One crore funding for voting in favour of Prashant. There are also rumors of the government employees of Sikkim contributing a day's salary to the kitty for Prashant.

May the best man win, but they seldom do in the farce that these talent hunts are.

Special addition: [September 19, 2007] In fear of excommunication by fellow Shillongites and the possibility of being denied entry into the city in the future for daring to question the concept of TV talent shows at a time when Amit Paul has made it to the finals of Indian Idol 3, here's an attempt towards pacifying the die-hard fans of Shillong's latest singing sensation - some childhood and teenage photographs of him (Don't ask me whether I voted for him or not).

[Click on images for a larger view]


Teenaged Amit


Baby Amit with his grandmother


Boy Amit with his sister


Youthful Amit singing at a Shillong hotel

Amit's childhood photos courtesy: Eastern Panorama

Click here for the complete post...

Sunday, September 09, 2007

Caught in a Time Warp?

Pehle tha Rock n Roll
Phir aaya Twist
Phir aaya Disco
Ab Break Dance, Break Dance...

(First there was Rock n Roll
Then came Twist
Then came Disco
Now Break Dance, Break Dance...)


To share/embed this video click here
Download video [00:01:20 FLV 1.83 MB]


Now try to redo this 1986 Bappi Lahiri number from the film Main Balwan, starring (who else but) Mithun Chakraborty, in today's scenario. I couldn't. Felt paused.

The other day, I went to a friend's engagement and wore a pair of trousers that my brother gifted me a decade back, and I didn't feel out of place.

I am not aware of any new dance form which has swayed our youth en masse since the days of Break Dance. There hasn't been any great musical revolution in between. Even the clothes that I wear (talking about us men) haven't changed much. My niece doesn't smile seeing the clothes that I wore in college, but she does giggle noticing what my elder brother wore as a child in black and white photographs.

Somewhere in 1990s, some things seem to have come to a standstill, whereas in others we are moving so fast that the past looks so sluggish. Internet and mobile have changed the way we live, communicate and earn a livelihood.

Every decade since World War II can be identified by cultural phenomenon (in music, dress and dance) which shaped the lives then, but that doesn't hold true for the last decade and a half. Perhaps there have been too many changes taking place simultaneously; and one couldn't have been all encompassing.

In India the only difference might have been in our movies. It took a maverick called Ram Gopal Varma to make Satya, a watershed in Hindi cinema, which was down in the dumps with mush, rehash, formula and syncronised PT dances, to infuse some life into that medium of expression. In music, we have AR Rehman and his dubbed Roja that had us all mesmerised with the new sound.

I do not follow trends, because there isn't anything worthwhile to follow. There was Nusrat Fateh Ali Khan, but then he died early, though his music still lives, in my digital audio player. There were some sparks of brilliance, almost at the same time: Junoon from across the border with Azadi, Silk Route's Boondien and Luck Ali with Sunoh. But none could rekindle the magic again. Lucky Ali sounded so monotonous thereafter.

And I also need to know, what after Break Dance?

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Wednesday, June 20, 2007

A Song for Shillong

The reasons for us to watch Jag Mundhra's films during school and early college years were obvious. Now when his latest venture Provoked released, I didn't have the urge to spend money and time to watch his work featuring Aishwariya Rai (now Bachchan). Since it was very unlikely for Aishwarya to be doing a Helen Brodie [NSFW].

Last night, on the way back from work I heard the OST of the film for the first time and one song touched my heart. Again for obvious reasons. The song was titled 'Shillong.' Sung by Karen David, who traces a part of her ancestry to the beautiful hill city. Karen also has plays a role in the movie.

Most Shillongites would relate to the song.

Here's a short sample from the song:









[MP3 00:00:59]


To listen to the complete version go to Karen's MySpace space.

Read an earlier post on the music of Shillong

Click here for the complete post...

Saturday, June 16, 2007

Mile Sur Mera Tumhara (with Subtitles and Credits)

One of the more popular posts on this blog is Euphony from the Yesteryears, where I had compiled a list of songs (with download links) from Doordarshan programmes that we had grown up with. The favourite, of course is Mile Sur Mera Tumhara - the brilliantly crafted song (and video) on national integration.

Though this video is now available at many places on the internet, I tried a little value addition.

First, I attempted to find the names of the people behind the project. Though there is not much information available, and I'm too lazy to go out and try to find out, I put in whatever I could find (but didn't verify it).

Second, I put in subtitles (in Roman script) so that you can sing along (though most know it by heart). Just a little frill, unlike the Same Language Subtitling [PDF] in Chitrahaar, which has many more benefits.


To share/embed this video click here
Download audio [00:05:33 MP3 2.54 MB 64kbps 44 KHz Stereo]


Mile Sur Mera Tumhara
(Video on national integration)

Year: 1988

Music: Louis Banks
Lyrics: Piyush Pandey
Director: Suresh Mullick
Camera: Vikram Bangera
Agency: Ogilvy & Mather India
Producer: Lok Sewa Sanchar Parishad

Languages used: (In order of appearance) Hindi, Kashmiri, Punjabi, Sindhi, Urdu, Tamil, Kannada, Telugu, Malayalam, Bangla, Assamese, Oriya, Gujarati and Marathi (the languages present then in the Eighth Schedule of the Constitution of India, which was later amended to include more languages. The present count is 22).

People featured (a partial list): Amitabh Bachchan, Mithun Chakraborty, Kamal Hasan, Jeetendra, Waheeda Rehman, Hema Malini, Tanuja, Sharmila Tagore, Shabana Azmi, Deepa Sahi, Om Puri, Deena Pathak (Actors); Mallika Sarabhai (Dancer); Mario Miranda (Cartoonist); Mrinal Sen (Filmmaker); Bhimsen Joshi, M Balamuralikrishna, Lata Mangeshkar (Singers); Narendra Hirwani, S Venkataraghavan, Prakash Padukone, Arun Lal, PK Banerjee, Syed Kirmani (Sportsmen)

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Tuesday, March 20, 2007

Download Old Hindi Songs (for Free)

Badi Bahen Dillagi coverHad discovered this site quite sometime back and had thought of posting about it, but as it usually happens with me, I forgot.

IndianScreen.com, maintained by The Classic Movie Club based in the USA has a sizeable collection of old classic Hindi songs available for download and that too for free (legality of the download is has to be ascertained by you). You can also purchase cassettes (cassettes?) of songs from their collection (50,000 songs) for $3 a piece.

The movie club is also into preservation of old films and music, primarily 78rpm records. But there is a catch (as always), they keep on refreshing the list of songs available for download every Wednesday and remove the previous items. Therefore at a given time there might not be more than 100 songs available. Moreover the files (in MP3 format) have a bit rate of only 16kbps and therefore the file sizes are usually sub 500 KB, but the quality is satisfactory for personal non-fussy listening.

A good place for lovers of old Hindi film music with many forgotten gems lying around. Only the layout is very amateurish.

Click here for the complete post...

Friday, February 16, 2007

The MP3 Wars - How Music Companies Can Emerge Victorious

I had written about it a long time ago (September 13, 2005 to be precise):

Online piracy has been for long a nuisance to the music industry. Much publicised battles have been fought on the web and in the courts, but with limited success. What escapes the attention of the media is the deluge of offline MP3s. The large scale proliferation of home PCs and dirt-cheap MP3 players have only magnified the malice. A little bargaining can get you a CD loaded with 150 'superhit' songs for Rs. 20 (45 cents). The sidewalks of the metros and the mofussil towns are stacked with the stuff. Neighbourhood rental shops also rent them out - Rs. 10 only. Downloading the equivalent from the net would have cost many times more. Purchasing the original CDs - forget it.

The quality might not be great, but it is more than worth the price paid. The customer is happy. He no longer has to empty his wallet or inflate his credit card bills at the cash counters of music stores.

The music industry does not seem to have learnt its lesson. They are concentrating only on the ethical and legal aspects. Their anti-piracy blitzkrieg is limited to an ad here and a raid there. After a few days of lull the pirates are again back to business. What they should have realised is that the advantage the pirates have is in the price. Low priced original movie DVDs and VCDs have dented the pirates' market-share. Its now the turn of the music industry to go for competitive (read pirate unfriendly) and consumer friendly pricing.

One fact that I fail to comprehend. A CD costs less to produce than an audio cassette. Then why does the same music on a CD cost at least three times than that on an audio cassette?

Nusrat Fateh Ali Khan - Dum Mast MastAnd a few days ago when I stepped into a music store and I found out exactly how music companies can win in this battle. Most of the MP3 albums that music companies (the legit ones) release are either instrumental or cover versions of popular numbers. The original is still relegated to the overpriced audio CDs. Therefore I was surprised to find a huge number of Nusrat Fateh Ali Khan's MP3 CDs on the rack (there were others too). They were from T-Series. I looked at the price; it was a very pleasant Rs 35 (around 75 cents). The number of songs, 35. That's merely a rupee a song!

The 35 songs might occupy only 236MB of the disc space and you'd say what a waste of 464MB. Could have fitted in 90 more numbers. Even the packaging looks cheap. But at a rupee a song you just can't ask for better. And T-Series' MP3 bouquet of original music is increasing. Other companies should take a lesson from the company which gave them a run for their money since it began operations two-decades ago. The alleged pirates of the 1980s are showing the way to fight the pirates of the 2000s.

I didn't hesitate a moment before purchasing the CD. Not will others, given the price and the choice available. I would rather not waste half-a-day looking for 'free' stuff on the net and another half downloading it. Is anyone else hearing me?

I had got my very first Nusrat Fateh Ali Khan album back in the mid-nineties for Rs 27 (an audio cassette), and that too was from T-Series. Titled Mera Piya Ghar Aaya, it had Madhuri Dixit (performing in the lifted number) on the cover.

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Thursday, February 15, 2007

Black Friday - A Late Review

Black Friday
Producer: Arindam Mitra
Director: Anurag Kashyap
Music: Indian Ocean
Lyrics: Piyush Mishra
Cast: Kay Kay Menon, Aditya Shrivastava, Pawan Malhotra
Cinematography: N Nataraja Subramaniam
Editor: Aarti Bajaj

Black FridayA couple of years back my brother called me up and asked to courier him Indian Ocean's latest album. It hadn't reached the music stores in faraway Shillong. I got it and when as the strains of Aare ruk jaa re bandeh... started flowing from my desktop speakers, I sat on the ground. Indian Ocean was just getting better and better.

To experience a similar experience, I waited for the movie to release, and stopped myself from getting a pirated copy which was selling and circulating quite well since the ban. Yesterday as I sat in a 3/4th empty mosquito infested hall at a multiplex in Noida and the opening scenes had a similar spellbinding effect. Marvellous! But that was the highpoint of the movie. You see the best as soon as the film begins and you expect better as the film progresses, but that is a tough task, which Anurag Kashyap couldn't perform, so he again brings back the film, through the series of flashbacks and flashforwards, to the blast at the Bombay Stock Exchange.


This is an edited version of the official trailer
Download [FLV 1.89MB 00:01:29 320X240]

A docudrama, Black Friday gets us into what happened before and after Friday, March 12, 1993. Someone who is not really clued into the details of the blast would at parts be left clueless trying to comprehend what is happening. Some scenes towards the later part of the movie do not gel into the whole frame and I was left thinking from where did these characters come from and who are these guys. Maybe I should read S Hussain Zaidis' book and then go for a second helping.

Black Friday stillsTalking of performances, it was excellent. Kay Kay, as usual, was good, but he seems to lack in versatility. He appears similar in all the movies. Kay Kay doesn't deserve to go the Nana Patekar way (you've seen one, you've seen all). But the best is Nawazuddin, playing the role of Asgar Muqadam (Tiger Memon's secretary manager). You have to see him act to understand what I mean, especially in the interrogation scenes. Naseeruddin Shah was supposed to play the role of Tiger Memon (played by Pavan Malhotra) and Irrfan was to be Badshah Khan (played by Aditya Srivastava), but both backed off as they didn't want to play a Muslim terrorist. Irrfan was comfortable playing Rakesh Maria, but Anurag insisted on Kay Kay. The cast is long and even Anurag makes a cameo (we thought so). And yes, there's Dawood Ibrahim (Gajraj Rao) too. The scene in which Dawood makes his first appearance is beautifully shot.

There were light hearted moments in between the blood and the violence, especially a long-drawn realistic but hugely hilarious chase sequence where the police try to catch Imtiaz Ghavate. The book and the movie might have been about the Bombay Bomb Blasts and doesn't shy away from taking names. My friend who accompanied me to the film, asked, "Where was Sanjay Dutt?" Dutt as the court verdict said wasn't directly linked with the blasts, but the AK56s were there (even in the film), and the public wanted a glimpse of the man who kept the news channels so uselessly busy of late.

My complaint, Indian Ocean's excellent music was not used well.

Rating? Do I need to come up with a rating system for my inconsistent reviews?

A synopsis of the film is available here
Cast and crew details can be found here

Click here for the complete post...

Wednesday, February 14, 2007

The Best Bollywood Love Songs Ever

Well... not exactly. The title of the post is a bit misleading. In fact it is the best Bollywood (Hindi / Hindustani) love songs that I could recall and also find the videos of. Which makes it a compilation of convenience rather than a comprehensive one.

Anyway, befitting the mood of the day (though I never did 'celebrate' this day, but it being associated with love, I'm all for it) here are The Best Bollywood Love Songs Ever* (*conditions apply) (A list of included songs is at the end of this post).


Download video [00:14:52 FLV 24.2 MB]

The Best Bollywood Love Songs Ever

(In no particular order and with many notable omissions. Reasons mentioned above)

* Aaja Sanam Madhur Chandni Mein (Chori Chori)
* Aankhen Bhi Hoti Hai Dil Ki Zuban (Haasil)
* Abhi Na Jao Chod Kar (Hum Dono)
* Ae kaash ke hum (Kabhi Haan Kabhi Naa)
* Aye Mere Humsafar (Quayamat Se Quayamat Tak)
* Aye Uri Uri Uri (Saathiya)
* Baahaon Ke Darmiyan (Khamoshi)
* Chalo Dildar Chalo (Paakezah)
* Chehra Hain Ya (Saagar)
* Chookar Mere Man Ko (Yaarana)
* Dil Ka Bhanwar Kare Pukar (Tere Ghar Ke Samne)
* Do Dil Mil Rahein Hain (Pardes)
* Dil Tadap Tadap Ke (Madhumati)
* Pyar Hua Iqrar Hua (Shree 420)
* Humein Tumse Pyar Kitna (Kudrat)
* Jo Wada Kiya Woh (Taj Mahal)
* Khoya Khoya Chaand (Kala Bazar)
* Ehsaan Tera Hoga Mujhpar (Junglee)
* Ek Ajnabee Hasina Se (Ajnebee)
* Ek Ladki Ko Dekha (1942 A Love Story)
* Hoshwalon Ko Khabar Kya (Sarfarosh)
* Pehla Pehla Pyar Hain (Hum Aapke Hain Kaun)
* Hum Hain Is Pal Yahan (Kisna)
* Jiya O (Jab Pyar Kisi Se Hota Hain)
* Karvate Badalte Rahen (Aap Ki Kasam)
* Khwaab Ho Tum Ya (Teen Deviyan)
* Lag Jaa Gale (Woh Kaun Thi)
* Mein Shayar To Nahin (Bobby)
* Mein Yahan Hoon Yahan (Veer-Zara)
* Mein Koi Aisa Geet Gaaun (Yes Boss)
* Mere Sapno Ki Rani (Aradhana)
* O Re Chori (Lagaan)
* Phoolon Ke Rang Se (Prem Pujari)
* Raat Akeli Hain (Dev Anand)
* Suraj Hua Madhyam (Kabhi Khushi Kabhi Gum)
* Tere Mere Milan Ki Yeh Raina (Abhimaan)
* Tere Mere Sapne (Guide)
* Tere Mere Beech Mein (Ek Duje Ke Liye)
* Tujhe Dekha To Yeh Jana Sanam (Dilwale Dulhaniya Le Jayenge)
* Tum Aa Gaye Ho (Aandhi)
* Tum Bin Jaaon Kahan (Pyar Ka Mausam)
* Tumse Milke Aisa Laga (Parinda)
* Dil Cheez Kya Hain (Umrao Jaan)
* Kabhi Neem Neem (Yuva)
* Pehla Nasha (Jo Jeeta Wohi Sikandar)
* Chura Liya Hain (Yaadon Ki Baarat)
* Jab Pyar Kiya To Darna Kya (Mughl-e-Azam)

Love, the mainstay of Indian cinema and film-music (over 95 per cent of film songs would be love-based. Maybe I'm underestimating) cannot be relegated to a list of 47 songs. What's your favourite love song (that this list missed)?

Click here for the complete post...

Saturday, December 09, 2006

Ting Ting Ti-Ting

Acoustic branding at its best. Wherever we hear that distinctive "Ting ting ti-ting," we invariably think Britannia. Louis Banks, the man who created it, says, "Well, I always say that on my tombstone they should put that four note signature I wrote for Britannia - you know, 'ting ting ti-ting'!"

If you need a ting ting ti-ting of your own, follow the following links to download or listen (you might also use it as a ringtone). It would help if you buy a packet of Tiger Biscuits too. For two reasons, indirect royalty payment and in celebration of Dada's return to the team (the Bong in me just couldn't help it).

* MP3 version [MP3 17.5 KB 00:00:01 128kbps Mono 44 kHz]
* MIDI version [MIDI 268 bytes 00:00:01]

Britannia ads have never been something to go gaga about. Anyway if you happen to be interested, a dozen-and-two TVCs can be found here. And Jazz-man Louis' site has three full-version songs available for free download. Help yourselves.

Click here for the complete post...

Wednesday, September 06, 2006

Vande Mataram - The Various Versions

Vande Mataram would have been the National Anthem, but similar sentiments which are dampening the 'centenary celebrations' of the song today led to its designation as the National Song "honored equally with Jana Gana Mana" and having "equal status with it."

Vande MataramBande Mataram was composed even before the Ananda Math was born. It happened in 1875 when, on a holiday, Bankim boarded a train to his native place, Kantalapada. The train passed into the outskirts of the city and glided through vast tracts of land, wrapped in enchanting green foliage, decked with multifarious flowers, nourished and nurtured by hurrying streams and beautiful lakes and unveiling the bewitching charm of nature in all its splendour. The poet's heart was thrilled with the vision of his exquisite Mother-the Bharata Mata-and he burst into song.

The song was born. But it had to reach the masses. It took about seven years for Bankim to present it to the people in the ideal setting. In no other setting it would have been more appropriate than in the historic novel, Ananda Math. Bankim had drawn inspiration from the Sannyasi Rebellion (1763-1800).

In school we preferred singing the National Anthem over the Song, not because of some personal or religious reservations, but because Tagore's composition was easier to our untuned vocal chords, than Bankim Chandra's.

Many people think differently about this song. Some say that it is the patriotic duty of all Indians to proudly sing the song, whenever they are directed to; others feel that it goes against the principle of their religion. A few like me, say that you can't beat a feeling into someone, nor does singing a song become the ultimate symbol or display of one's love for the country one holds the citizenship of. We are not an authoritarian nation, we shouldn't issue dictates. Religion before nation or nation before religion, the debate will go on.

At the Congress Session in 1896, Rabindranath Tagore sang 'Bande Mataram'. Later in 1905, Poet Sarala Devi Chaudurani sang 'Vande Mataram' in the Benares Congress Session.

And so many composers and singers have had their own renditions ever since. From Ranindranath Tagore to AR Rehman, this song had stirred the creative souls of many and therefore there are more versions of the song than dissenting ideological stances on the song.

This post isn't about the 'centenary celebrations,' it is in celebration of a song (and its multifarious renderings) which has a distinct appeal about it. It is India's true song of revolution and this post attempts to compile the various colours with which creative Indians (and others) have painted the lyric with (An informative article by Suresh Chandvankar, from the Society of Indian Record Collectors is available here). Whether September 7 is of historic importance or not, is insignificant.

Vande Mataram!
Sujalam, suphalam, malayaja shitalam,
Shasyashyamalam, Mataram!
Shubhrajyotsna pulakitayaminim,
Phullakusumita drumadala shobhinim,
Suhasinim sumadhura bhashinim,
Sukhadam varadam, Mataram!


English translation by Sri Aurobindo (Aurobindo Akroyd Ghose).

I bow to thee, Mother,
richly-watered, richly-fruited,
cool with the winds of the south,
dark with the crops of the harvests,
The Mother!
Her nights rejoicing in the glory of the moonlight,
her lands clothed beautifully with her trees in flowering bloom,
sweet of laughter, sweet of speech,
The Mother, giver of boons, giver of bliss.

[Click on the links to download / listen]

1. The official version
[MP3 1.06 MB 00:01:09 128kbps Stereo 44 kHz]

2. Rendition by Vishnupant Pagnis. From a 1928 HMV record. The music is set in raag saarang instead of the usual desh. Even the order of the stanzas are different.
[RM 671 KB 00:02:44]

3. Lata Mangeshkar sings in Anand Math (1952). Music by Hemant Kumar.
[MP3 1.26 MB 00:02:46 64kbps Stereo 22kHz]

4. MS Subbulakshmi, sings a Tamil version. Translated by Subramaniam Bharati.
[MP3 5.64 MB 00:06:09 128kbps Stereo 44kHz]

5. By Mogubai Kurdikar. From a 1947 78rpm record. Music VD Ambhaikar.
[MP3 1.05 MB 00:01:09 128kbps Stereo 44kHz]

6. The Rashtriya Swamsevak Sang (RSS) version.
[MP3 3.84 MB 00:03:20 192kbps Stereo 44kHz]

7. All India Radio's (AIR) signature tune followed by Vande Mataram (Vividh Bharati).
[RM 209 KB 00:01:47] Link updated

8. Kannada version. Lata Mangeshkar and SP Balasubrahmanyam
[RM 651 KB 00:04:17]

9. SP Balasubrahmanyam again (2003).
[MP3 3.07 MB 00:03:21 128kbps Stereo 44kHz]

10. AR Rehman's Vande Mataram (Revival) from the album Maa Tujhe Salaam celebrating 50 years of India's Independence.
[MP3 5.27 MB 00:07:39 96kbps Stereo 44kHz]

11. AR Rehman's heartfelt salute to the motherland. The title track the album Vande Mataram - Maa Tujhe Salaam.
[MP3 5.66 MB 00:06:11 128kbps Stereo 44kHz]

12. That wonderful video from BharatBala Productions. Conceived and directed by Bharatbala and Kanika Myer. Music Ranjit Barot. Vocals Lata Mangeshkar.
[SWF 00:04:53]

13. Some more from Lata's vocal chords. Music Ranjit Barot.
[MP3 2.46 MB 00:05:26 64kbps Mono 16kHz]

14. Yet more Lata.
[MP3 1.33 MB 00:02:55 64kbps Mono 16kHz]

15. A slowish chorus.
[MP3 969 KB 00:02:04 64kbps Mono 16kHz]

16. Bhajan Samrat Anup Jalota's patriotic pitch.
[MP3 1.35 MB 00:02:57 64kbps Mono 16kHz]

17. A videshi version. A woman, David Mills, sings about love and nature opposite the chorus of children.
[MP3 2.89 MB 00:03:09 128kbps Stereo 44kHz] [Lyrics]

18. An unrecognised version (If you know more about this, please let me know).
[MP3 2.49 MB 00:02:43 128kbps Stereo 44kHz]

19. Another unidentified version (Information needed).
[MP3 4.41 MB 00:0 kbps Stereo 44kHz]

20.Instrumental Vande Mataram. Performed by Sachin PK.
[RM 151 KB 00:01:00]

21. Another instrumental. By Ranjan Sharma. Instruments used santoor, sarod, tabla, pakhawaj and tanpura.
[MP3 1.69 MB 00:01:50 128kbps Stereo 44kHz]

22. One more instrumental.
[MP3 300 KB 00:00:38 64kbps Mono 16kHz]

23. Seattle 2005. Vocals Anitha Kamath. Acoustic guitar Jay Swaminathan. Lead guitar Prasanna Veeraswamy. Bass Samuel Devasahayam. Keyboard, sax Sanjib Saha. Keyboard, sitar Prasanna Ganapule. Percussion Aashish Shanbhag, Shriram Nanjundaiah. Drums Vivek Venkatachalam.
[MP3 4.32 MB 00:04:43 128kbps Stereo 44kHz]

24. From Nirmal Bhakti's Pure Devotion.
[MP3 3.69 MB 00:04:02 128kbps Stereo 44kHz]

25. Rajan P Parrikar's rendition. Raag desh.
[RM 261 KB 00:01:03]

26. Recent filmi takes. From Kabhi Khushi Kabhie Gham (2001). Music Sandesh Shandilya. Vocals Usha Uthup.
[RM 282 KB 00:01:49]

27. And the latest. Lage Raho Munna Bhai (2006). Music Shantanu Moitra. Lyrics Swanand Kirkire. Vocals Sonu Nigam, Shreya Ghoshal, Pranab Biswas.
[MP3 3.69 MB 00:04:01 128kbps Stereo 44kHz] [Lyrics]

Additions

28. Pandit Omkarnath Thakur. Sung in raag kafi (1938-39) Thanks Yadbhavishya for the link.
[RA 1.06 MB 00:04:29]

29. From the Bharatiya Janata Party (BJP) website.
[RAM 92 KB 00:00:59]

30 Aao Bachchon Tumhe Dikhaye from the movie Jagriti (1954). Music Hemant Kumar. Lyrics Pradeep
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